Cut Me Some Slack (feat Smear, Nirvana bassist Krist Noveselic & Paul McCartney) was the first impression we got of the album and man, was it a good one. A Trick with No Sleeve (feat Homme & Johannes) is another solid rock track, even if there aren’t really any compliments I can give it I haven’t already given to other ones here. Honestly though this is probably the only song I have a gripe with while it’s in general very well-written, to me the acoustic first half runs about a minute too long & eventually loses my interest until the 2nd half. Centipede (feat QOTSA frontman Josh Homme, Johannes & Goss) is a much more acoustic-based track than the other ones here, being driven throughout by a quickly-picked guitar riff & switching into rock mode about halfway in. It does a great job of building throughout too, with the instrument getting heavier & Taylor’s vocals getting more emotionally-driven over the course of its 5-minute length. From Can to Can’t (feat Slipknot/Stone Sour frontman Corey Taylor, Cheap Trick guitarist Rick Nielsen & Kyuss/The Obsessed bassist Scott Reeder) is a dark moody epic about what I’m interpreting as being told from the point of view of a man who’s questioning his faith in a higher power after a loved one dies. It’s an oddball of a track but by the 3rd listen I was hooked.
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It has a hardcore punk-like feel, goofy & repetitive lyrics, and throughout it rides a very odd groove that I can barely tell the time signature of.
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Your Wife Is Calling (feat Hawkins, Fear frontman Lee Ving, Queens of the Stone Age bassist Alain Johannes & Foo Fighters/Germs/Nirvana guitarist Pat Smear) is admittedly a song that took a while to grow on me. The Man That Never Was (basically Foo Fighters fronted by Rick Springfield) is an angsty hard rock song with a multitude of awesome riffs, and finds Springfield in a much more edgy mode than we ever saw on Jessie’s Girl.
#Sound city real to reel zip mac#
You Can’t Fix This (feat Stevie Nicks, Foo Fighters drummer Taylor Hawkins & Wallflowers keyboardist Rami Jaffee) has all the makings of a great Rumours-era Fleetwood Mac song incredibly catchy melodies, poetic lyrics centered around betrayal & the end of relationships, guitar leads that are both jangly & twangy, and Nicks’ distinct raspy vocals in top form. Time Slowing Down (feat Masters of Reality’s Chris Goss & the rhythm section of Rage Against the Machine) seamlessly trades off between dreamy & almost psychedelic verses & a Foo Fighters-esque chorus/guitar lead. Opening track Heaven and All (basically Black Rebel Motorcycle Club with Grohl on drums) is a heavy, driving riff-rocker that really starts the album off with a bang. Considering the album’s extensive roster, I think a track-by-track analysis is the best way to go about this review. Considering the album’s extensive roster, I I’m happy to say that this turned out just as awesome as you’d expect from a project like this. Selling over 30 million copies worldwide, Nevermind changed the entire musical landscape and forever altered the course of Dave Grohl’s life.I’m happy to say that this turned out just as awesome as you’d expect from a project like this. Grohl’s personal connection to Sound City began with the 1991 recording of Nirvana’s breakthrough album, NEVERMIND. The new tracks-featuring an amazing and idiosyncratic cast of collaborators including Paul McCartney, Grohl's former Nirvana and current Foo Fighters bandmates, Stevie Nicks, Rick Springfield, Trent Reznor, Joshua Homme of Queens of the Stone Age, Rick Nielsen of Cheap Trick, Lee Ving of Fear, Corey Taylor of Slipknot, Brad Wilk and Tim Commerford of Rage Against The Machine and more-passionately exemplify Sound City's celebration of the human element of musicianship and recording in an increasingly digital world. Sound City- Real To Reel is a brand new collection of all-new all-original songs, each one composed and recorded exclusively for the film on that console after it was reinstalled in Grohl and his Foo Fighters' own 606 Studios.
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The board, built in 1972, is considered by many to be the crown jewel of analog recording equipment, having recorded countless musical legends over the past 40 years. The film, was conceived by Grohl after purchasing the legendary custom-built Neve 8028 recording console from Sound City Studios last year. Sound City-Real To Reel, is the companion album to the Dave Grohl-directed ‘Sound City’ documentary which recently premiered at the 2013 Sundance Film Festival.